facial scans using an interactive web based interface that connects HTML5 WebCam input to a WebGL 3D Mesh developed by Felix Turner
Invisible Image
more happy than disgusted
code racer
code racer you stream / you race
YOU the digital ∝ the massive traversing unimaginable terrains, / a mirror a flip , flop .
expanding infinitely / a boundless volume of consequence, a flux
engaged ... data / an endless stream
manipulated, reinterpreted, cut, pasted
multiplicity ... reshaping shape / languages
Counterpractice
http://counterpractice.com/ http://libraryoftheprintedweb.tumblr.com
The viewer (or the camera as a ‘viewer proxy’) is already divided, or apart, or opposite from its subject. The viewer is inside the world of course, but the structure of immanence is not in effect. Rather, a structure of distance, difference, relationality predominates.
" johoka shakai "
Truth and the information society.
Art is a Form of Encryption:
Laura Poitras in Conversation with Lynn Hershman Leeson | PEN America
[ cover image : Courtesy Lynn Hershman Leeson ]
https://pen.org/interview/laura-poitras-conversation-lynn-hershman-leeson
Long before the digital revolution and virtualization of identities became part of our everyday lives, American artist and filmmaker Lynn Hershman Leeson created surrogate personas and investigated issues of surveillance, interfacing of humans and technology, and media as a tool to counter censorship and repression.
LP: People have always used encryption. That is one of the goals of encryption, how to communicate privately. I think art is in a kind of different category, because it is communication with the desire to express something more openly. Or perhaps it is communicating some kind of different emotion. It is a translation, or a type of communication that is not based on a set language...
Lynn Hersham Leeson: "her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working of our society: identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds. [source: http://www.furtherfield.org/features/interviews/woman-art-technology-interview-lynn-hershman-leeson]
still from Tania Bruguera—A State of Vulnerability https://vimeo.com/162320175#t=600s
"...I think the goverment did a piece for me..."
Her latest work explores censorship and vulnerability in the work of artist Tania Bruguera. "Documenting the personal and emotional fallout of Bruguera’s unjust detentions, Hershman Leeson’s new film Tania Bruguera—A State of Vulnerability observes the artist’s sessions with psychiatrist Dr Frank Ochberg, one of the founding fathers of modern psycho-traumatology who helped first define Post Traumatic Stress Disorder. An intimate and profound discussion of family disorders and cultural trauma emerges as the film touches on the various ways in which censorship of both the family and society have come to shape Bruguera’s aesthetic." [source: http://www.lynnhershman.com/film/]
Screen Shot 2016-08-27 at 12.38.39 pm
SoundDome.Org - SoundDome16
http://www.sounddome.org/sounddome16
SoundDome: Composing with Space
"What makes your heart sing? For me, and for the other members of SoundDome.Org it is the point of intersection between sound, technology, and space. The sound dome brings to life an extraordinary three-dimensional sound world previously conceivable only in the imagination of the composer." Dr John Coulter Managing Trustee
Matt Mullican: Beyond the Planetarium
Planetarium: Matt Mullican
"I went from being surrounded by things—dealing with how we name them and how we experience our environment through naming—to the opposite end of the spectrum: starting with nothing, then calling the objects into being."
—Matt Mullican, "Planetarium"
A digital project, part of And Yet It Moves
Matt Mullican was born in 1951 and currently resides in Berlin. Working in performance, installation, digital technology, and sculpture, and employing tools ranging from hypnosis to cartography, Mullican seeks to develop a cosmological system based on his personal visual and symbolic vocabulary. His work has been exhibited extensively in the US and internationally.